Lan Ting



I visited Orchid Hill Park on a November morning, following a winding path that cuts through a bamboo grove, the sound of raindrops lightly tapping my umbrella. The path led me to a small pavilion raised on a platform three steps high, the sweeping gable roof raised by four stone columns. At the center was a stone tablet inscribed with the words “Lan Ting.” During the Spring Autumn Period, a pavilion was built at the foot of a hill where once there were orchids planted. It was named Lan Ting, the Orchid Pavilion. In the spring of 353 Wang Xizhi and forty-one of his friends and family gathered here. They played a game floating cups of wine down a stream, drinking and writing poetry. Wang wrote a preface introducing these poems titled “Lan Ting Xu,” considered the masterpiece of Chinese calligraphy. Looking at the fabled pavilion I thought: this is it? Had it not been for the inscription, the building was simply ordinary, its significance verified by two words. Was that enough? I came here chasing the beautiful place I sensed in Wang’s writing. I came searching for clues connecting the present to that spring day in 353. I wanted inspiration. No one noticed. I guess calligraphy gods don’t like rain either.

1 comment:

  1. After reading this, unless you have a better idea, I'm convinced you have the opening piece for your thesis. It is concrete, vivid, wistful, and ironic. That will draw the reader on in moments. It needs only the lightest re-write in order for it to be perfect.

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