The Calligraphy Lesson

Teaching the friend premise is a little corny...but this is the solution I've come up with so far.

Preface:
7 pages + 1 photograph (maybe), 1500-2000 words

The Setup: 500-700 words

content: 3-4 pp diagrams + text
  • I am teaching a friend (Krista) calligraphy, she doesn’t read, write or speak Chinese
  • I bring over brushes, ink, paper and prepare references: the character 永 (yong), a book - The 84 Laws, a dictionary, a landscape painting and a calligraphy scroll
  • Introduce Chinese written language

Part 1: 1 blank page + 永 (yong), 300-500 words

content: 6-8 pp + diagrams
  • I explain that 永 (yong) is composed of 8 basic strokes in Chinese writing
  • Krista learns how to hold a brush, brush movement, the stroke order
  • Her first attempts are unsuccessful and I show her where the problem areas are
  • I ask her to consider the relationship between strokes and paper

Part 1.1: 1 blank page + cover of The 84 Laws, 500-750 words

content: 25 pp diagrams + text
  • I introduce Li Shun and his 84 laws (diagrams)
  • Krista is curious why Li Shun and her are both copying other’s work
  • I explain the common belief that old works are reservoirs of knowledge and personal style is a synthesis of older works (essay)

Part 1.2:
1 blank page + cover of Calligraphy Dictionary

content: 60 pp diagrams + text
  • I show Krista the same character 花 (flower) written in many different ways (from dictionary)
  • Phrases written and arranged in variation
  • 花 (flower) written in 5 styles, stroke order, line and shape
  • Timeline
  • Essay on the history of calligraphy and the five major styles (in essay)
  • 5 styles all differ rhythmically & in time of execution

Part 2: 1 blank page + Countless Peaks and Vales, 2000-2500 words

content: 20 pp diagrams + text
  • Essay on Countless Peaks and Vales and brush painting
  • Diagram analysis of painting
  • 势 (shi) as it operates in calligraphy (balance of shapes and strokes)
  • Essay on Fenellosa’s Chinese Written Character as Medium for Poetry

Part 2.1: 1 blank page + quote on dynamism, 500-750 words

content: 10 pp diagrams + text
  • Diagrams showing rhythm
  • Diagram showing interaction between brush and paper
  • Diagrams showing calligraphy written with small brush
  • Diagrams showing calligraphy written with large brush 
  • Essay on collapse of time and space in calligraphy

Part 2.2: 2 page spread + fold-out page of calligraphy

Part 3: End of Lesson, 500 words
  • Review to today’s lesson: tools, methods, dynamics, sensation of hand moving in space and collapse of time and space
  • Krista has more questions (still working on that) and I promise to answer them during our next lesson

Epilogue: Lessons I’ve learned, 500-750 words
  • My trip to Lan Ting
  • Calligraphy is hard, due diligence is the only way one improves
  • Culturally important: Chinese identify with the craft, calligraphy equals value
  • Socially important: Positive reputation associated with calligraphers
  • Calligraphy is practiced throughout Asia, but is now receiving attention from the West
  • I’m not sure what exactly keeps me practicing, maybe it’s because of the community of people that practicing, a way of connecting to my roots, or that it’s something I can just work on without having the pressure of ever finishing, in any case I’ll continue practicing

1 comment:

  1. The lesson is perfect, the personification may help you, but I think you may also be able to ask us to IMAGINE the lesson. It is, after all, simply the matrix for your reflections, not a story.

    Make this the center of your agenda for Wednesday. Don't stop posting. Good work.


    DM

    ReplyDelete