Teaching the friend premise is a little corny...but this is the solution I've come up with so far.
The Setup: 500-700 words
content: 3-4 pp diagrams + text
- I am teaching a friend (Krista) calligraphy, she doesn’t read, write or speak Chinese
- I bring over brushes, ink, paper and prepare references: the character 永 (yong), a book - The 84 Laws, a dictionary, a landscape painting and a calligraphy scroll
- Introduce Chinese written language
Part 1: 1 blank page + 永 (yong), 300-500 words
content: 6-8 pp + diagrams
- I explain that 永 (yong) is composed of 8 basic strokes in Chinese writing
- Krista learns how to hold a brush, brush movement, the stroke order
- Her first attempts are unsuccessful and I show her where the problem areas are
- I ask her to consider the relationship between strokes and paper
Part 1.1: 1 blank page + cover of The 84 Laws, 500-750 words
content: 25 pp diagrams + text
- I introduce Li Shun and his 84 laws (diagrams)
- Krista is curious why Li Shun and her are both copying other’s work
- I explain the common belief that old works are reservoirs of knowledge and personal style is a synthesis of older works (essay)
content: 60 pp diagrams + text
- I show Krista the same character 花 (flower) written in many different ways (from dictionary)
- Phrases written and arranged in variation
- 花 (flower) written in 5 styles, stroke order, line and shape
- Timeline
- Essay on the history of calligraphy and the five major styles (in essay)
- 5 styles all differ rhythmically & in time of execution
Part 2: 1 blank page + Countless Peaks and Vales, 2000-2500 words
content: 20 pp diagrams + text
- Essay on Countless Peaks and Vales and brush painting
- Diagram analysis of painting
- 势 (shi) as it operates in calligraphy (balance of shapes and strokes)
- Essay on Fenellosa’s Chinese Written Character as Medium for Poetry
Part 2.1: 1 blank page + quote on dynamism, 500-750 words
content: 10 pp diagrams + text
- Diagrams showing rhythm
- Diagram showing interaction between brush and paper
- Diagrams showing calligraphy written with small brush
- Diagrams showing calligraphy written with large brush
- Essay on collapse of time and space in calligraphy
Part 2.2: 2 page spread + fold-out page of calligraphy
Part 3: End of Lesson, 500 words
- Review to today’s lesson: tools, methods, dynamics, sensation of hand moving in space and collapse of time and space
- Krista has more questions (still working on that) and I promise to answer them during our next lesson
Epilogue: Lessons I’ve learned, 500-750 words
- My trip to Lan Ting
- Calligraphy is hard, due diligence is the only way one improves
- Culturally important: Chinese identify with the craft, calligraphy equals value
- Socially important: Positive reputation associated with calligraphers
- Calligraphy is practiced throughout Asia, but is now receiving attention from the West
- I’m not sure what exactly keeps me practicing, maybe it’s because of the community of people that practicing, a way of connecting to my roots, or that it’s something I can just work on without having the pressure of ever finishing, in any case I’ll continue practicing
The lesson is perfect, the personification may help you, but I think you may also be able to ask us to IMAGINE the lesson. It is, after all, simply the matrix for your reflections, not a story.
ReplyDeleteMake this the center of your agenda for Wednesday. Don't stop posting. Good work.
DM